
- Book 16 - Encounters with the World of
Spirits
- By Grand Master Sheng-yen Lu
- Translated by Janny Chow
- Copyright© Purple Lotus Society
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Chapter 25 - Channeling By Planchette Writing
Divination using planchette writing is seen quite often in Taiwan.
Many of the local temples, known as En Chu Temples, and the Holy
Emperor Temples (which worship Kuan Fu Tsu, a deified historical
hero) often offer demonstrations of planchette writing. The demonstrations
are performed by mediums called chi shengs who either work alone
or in pairs. A tray of white sand is placed in front of the chi
sheng who holds in his hand a V-shaped writing tool made out of
peachwood. A group of assistants known as the luan shengs then chant
scriptures to invoke deities to descend to the peachwood implement.
While being supported by the chi sheng, the peachwood writing tool
will write on its own in the sand. The deity usually announces its
identity first before inscribing what will turn out to be a poem
or essay. It is a rather bizarre scene. Generally the chi shengs
and luan shengs carry out their rituals with great care and are
very respectful to the deities who descend to the planchette. I
have read some of the poems obtained by planchette writing, and
there are quite a few good ones. Some of them advocate good deeds,
proper etiquette, and moral behavior. There was one particular one
I remember that advised people to be punctual, especially when attending
lectures on sutras. Although some of the planchette writing is quite
good, it sometimes seems to have been written in a hurry. The strangest
thing is that, even when the chi shengs themselves do not know any
English, Japanese, or Hebrew, there have been occasions when the
deity has announced himself in one of these languages. For example,
deities have announced themselves to be Jesus Christ or a Japanese
god. In the case of the Japanese god, the planchette produced a
poem written in Japanese.
This points to some mystical connections, as the chi shengs are
generally not very educated, and it is puzzling that they would
suddenly be able to write poems, especially in foreign languages!
More than ten years ago, I witnessed a demonstration of planchette
writing in the Tsu Shih Temple in Kaohsiung.
The chi sheng's hands first started trembling and then, in a fast,
almost choreographed fashion, he wrote an essay in the sand. The
speed of the composition was amazing, and the writing of calligraphy
on a tray of sand was no simple feat either!
At that time I did not believe in planchette writing, but I was
intrigued by the apparent sincerity of the chi shengs.
Today, I have realized that planchette writing is also a kind of
Spiritual Divination. Planchette writing is actually a tool that
the invisible spirits use to give teachings. The peach branch replaced
a pen, and writing is used instead of the speaking voice. The writings
serve to bridge communication between men and spirits, and the content
usually advocates goodness and discourages evil doings. In Taichung,
I have seen planchette writings at the Sheng Hsian Temple, Sheng
Ming Palace, and Sheng Hsiu Palace. In Ts'ao T'un, I have witnessed
planchette writings at the Hui Te Temple. In those temples, the
chi shengs and luan shengs all wear long robes. Two other temples
which are famous for planchette writings are Yuan Lin's Ch'uan Hua
Temple and Penghu's Hsin Shan Temple.
The divination art of planchette writing has a long history in
mainland China, although its degree of accuracy has been disputed.
Most chi shengs and luan shengs have lumped together teachings from
Confucius, Lao Tzu, and the Buddha.
The luan shengs have to observe very strict rules and an infraction
is sometimes punished by up to an hour of kneeling.
Many of the popular Taoist classics in these temples are not passed
down from past Taoist masters, but are edited from the many scriptures
obtained by planchette writing.
One might have reservations about planchette writing but the following
incident, which happened to me personally, is more than a mere coincidence.
One time I was in Taipei and was taking a walk in the Chingmei area.
I came upon a temple with a horizontal board bearing the following
inscription: Three Religions Headquarters. Rather aimlessly I walked
inside. At that time I had the regular habit of going into just
any temple and paying homage at the shrine. Inside this temple the
luan shengs were very busy. Some were serving tea, some were chanting
scriptures, and others were reading out the inscriptions while the
chi sheng was doing the planchette writing.
Although there were many followers in the temple (probably to seek
guidance), the whole bustling scene was very quiet.
At this moment the peach branch suddenly stopped in mid air, then
brandished a couple of times. All of the luan shengs became alarmed,
and several of them knelt down to ask for guidance. The peach branch
then alighted on the sand tray, and after making a hop it touched
down again to start writing.
"We have here among us a visitor from Taichung's Tz'u
Hui Lei Tsang Temple, Lian Shen, who is a disciple of Mr. Three-Peaks-Nine-States.
Lian Shen's crown chakra is already open. Since he is visiting
us, he should be treated with good manners."
After reading the message, the luan shengs started asking who was
this Lian Shen from the Taichung Tz'u Hui Lei Tsang Temple. Everyone
looked at everyone else.
When I heard my name, I was quite taken aback. After letting the
inquirer know that I was the person for whom they were looking,
the abbot of the Three Religions Headquarters courteously invited
me to sit down and offered me tea. There were many devotees present,
and I felt very embarrassed to be singled out to receive this special
treatment.
"Are you the Lian Shen from the Taichung Tz'u Hui Lei Tsang
Temple who is a disciple of Mr. Three-Peaks-NineStates?" the
abbot asked me.
"Yes," I replied.
"Then Mr. Three-Peaks-Nine-States is the principal god at
the temple of which you are in charge?"
"That is not so. The chief deities at my shrine are the Golden
Mother of the Primordial Pond, Buddha Shakyamuni, and Ksitigarbha
Bodhisattva the Nether World Guardian."
"Oh! Then what kind of deity is Mr. Three-Peaks-Nine-States?
How come I have never heard of his name in all these years of worshipping?"
the abbot asked again.
"I myself don't know much about this," I told him honestly.
"All I know is that he is a holy being from the Formless Realm."
Then I continued, "Since the deity who has just now descended
to the planchette knows about my teacher, he must know about his
background. Why don't we ask him?"
The deity who had descended to the planchette was Hsu Chen Chun,
a deity in Lu Shan Taoist Temple. He was rumored to be the teacher
of Chen Ching Ku, a female Taoist adept.
After I finished praying with an incense stick in my hand, Hsu
Chen Chun wrote the following words on the sand,
"Having arrived a long time ago in the land of the Golden
Lotus, a ninth level in the Buddhaic plane, Mr. Three-Peaks-Nine-States'
spirit traverses from Heaven to Earth and throughout the Land.
He is a free high spirit who has transcended birth and death.
Although he has never been deified by the Jade Emperor, his virtues
match Heaven and Earth. Being formless and shadowless, he hides
himself in the dust specks of the Universe and penetrates through
mountains and lakes. His magic power is limitless, and I, Hsu
Chen Chun, do not know of his true background. Even the Five Revered
Elders of Taoism, the Tung Hua Emperor, Golden Mother of the Jade
Pond, Huang Lao, Shui Ching Tzu, and Huo Ching Tzu give some precedence
to him out of courtesy. The goal of cultivation is to attain the
true Tao. Yet the path and result of spiritual cultivation rest
completely in the heart. It is from the mud that the lotus grows
and blooms; therefore, only by persisting on the path can man
realize his fullest potential."
The abbot of the Three Religions Headquarters Temple exclaimed,
"Wow! Your teacher is such a high being! You must also be quite
extraordinary, as you are his student."
"Oh no, I indeed know nothing. I only know how to practice
devotion and do sitting meditation."
I stayed a little while at the temple to watch the chi sheng writing
with the planchette. The luan shengs were looking at me with curious
eyes. Normally no one other than the staff was allowed to stand
next to the planchette while work was going on, but Hsu Chen Chun
of Lu Shan asked me to go up to the planchette and gave me the following
guidance,
"Before the yin vapor is eradicated, there will still
be many obstacles. As you practice and make daily progress, merits
will accumulate. Universal salvation to the three realms is on
Heaven's scheme of things. Do not slow down in your path to seek
understanding and realization." He also wrote, "Guard
against demons when your merits and power increase. The spiritual
light manifests itself when the heart is strong and immovable.
The heart has always been the test that differentiates good from
evil-born from the lotus, and to be born as the lotus, life after
life."
When I left the Three Religions Headquarters, one of the luan shengs
ran out after me.
"Please wait for me, Mister". He was gasping for breath.
"Sometime ago I was ordered to take a retreat for forty nine
days. According to our spiritual master, after the retreat I was
to begin training as a chi sheng. I read scriptures during the day
and meditated in the evening. Nothing happened to me during the
first six days. Then, on the seventh day, as soon as I sat down
to meditate, my eyes became tightly shut, and in a trance I saw
a golden armored god standing in the doorway. I looked around and
discovered that to my front, back, left, and right, there was another
me standing in each of all those positions. I was in the middle
and being surrounded by four of myself. A voice in the air asked
me which one was me. I replied that I did not know. The next day
our spiritual master gave instructions that I was not qualified
to become a chi sheng. I was let out of the retreat. Now I can only
work as a luan sheng. Can you tell me what was my mistake?"
I quoted a passage from the classic Record of the Heart Lamp to
him, " 'The initial key is to have consciousness of yourself
when you leave yourself. The next is to know that your body is being
used as a channel. The third key is, while under, one is guarding
oneself and still has the faculty of thought and vision, and when
one desires to exit from the channeling, one can do so without losing
any of the memory.' Do you understand what I am talking about?"
He nodded, "So that's how it is!"
As far as I know, any person who has a yearning for spiritual cultivation
can join the group of luan shengs. From the luan shengs the chi
shengs are then selected to undergo special training. There is usually
some good karmic connections from a chi sheng's previous incarnations
which result in his being of higher intelligence and having a strong
determination to seek the Tao. The most important key is, however,
that the soul of the chi sheng must be radiant and vivacious. Souls
in the spiritual realm need to borrow physical bodies in the world
of forms to manifest themselves. This is the principle behind channeling.
That is why I consider channelling a kind of Spiritual Divination
and why I believe that it does exist. Whether the messages being
channelled are always authentic is another matter. However, some
definitely are authentic. There is, indeed, a true phenomenon of
spirits attaching themselves to peach branches for the purpose of
transmitting messages. Buddhism does not advocate belief in chi
tongs, hexagram divinations, or planchette writings, but neither
does it openly oppose such practices. Actually both Buddhism and
Taoism propose that one should let nature take its own course.
However, if the teachings are too deadly dull, without any demonstrations
from the psychic realm, how can sentient beings be attracted to
turn to Buddhism and Taoism?
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